thought this would make for a nice early-halloween post... seriously, don't listen to this album if you aren't ready to sell your soul to satan in exchange for listening to one of the craziest avant-death-metal groups that ever existed. enjoy >:D
this album is an great introduction to the madness that is john zorn. it begins with some nice blues/jazz influenced tunes, slowly incorporating insanity into the music, to the point where you can actually almost bear the most extreme of naked city's music. note that this album is still extremely tough to grasp, as john zorn is not exactly a great intro to noise music; he is known to give even the most seasoned harsh avant-garde veteran a severe migraine... but still, this album is a classic, and if you can get past the blaring saxophone and painful free jazz improvisations, you will see the awesomeness that john zorn is. that said, beware the album "torture garden". not even joking. it will hurt your brain if you haven't heard at least this album first :o
haven't posted math rock for a while, so i thought this classic math rock album was in order. its instrumental, and not as intense as some other math rock i've posted, but it is rather different than the tapping + superfast drums combo that is somewhat popular among the math rock genre.
ok, i understand many of my readers have a strong aversion to anything by venetian snares (for some weird reason), which is why i haven't posted anything by him here yet, but i must say that this is quite different from snares' usual amen break slicing madness. harshly chopped samples from reggae music intersect with warm analog sounding synths and strange chanting to create a very unique sound that one would definitely not expect from aaron funk. a very enjoyable ep, whether or not you like funk's previous works.
japanese harsh-noise/sound-collage/free-improvisation band. there hasn't been any harsh noisy music on here for a while (if ever), so i think its about time that i introduce some non-melodic music to you all :)
dont blow your speakers out... a rule of thumb when listening to noise music, whether your medium be studio monitors, 200 dollar headphones, or a cheap pair of ipod buds, is that you should start with the volume on 0 and slowly move up until it is at a comfortable level, being sure to leave headroom in case there is anyone change in dynamics (when the music suddenly changes volume, which happens quite a bit in noise music)
heed my advice, i have messed up many speakers in my time i have spent listening (and making!) to this sort of music, i know better ;)
ps the youtube video below is one of the least noisy tracks on the album, don't get this album and expect to be treated to an (easily) understandable melody/beat throughout!
"hey cuttlefish (my musicname), i thought you said you weren't gonna make another hipster post..."
"yes, but, you see, animal collective is not hipster, it is awesome music that hipsters just happen to sometimes like too, so, uh, FUCK YOUUUUUUUUU"
feels is an album which might sound funny to you (at least, more funny than the usual animal collective freak folk would sound weird to you), and this is because all the instruments are very slightly untuned from the traditional twelve tones we are used to hearing. it sounds better than i am describing it just trust me.
i have posted other albums from the side projects of "giraffes? giraffes!" but this is the first feature of their main project. this album cover is rather... intense? anyways, this was one of my first math rock albums, and i still really love it. i find it amazing that the entire album is a just a two piece band, one guitarist and one drummer, both very skilled at their instruments. i highly recommend this album to any fan of math rock, or experimental rock in general.
this time with lots of electronic, drum and bass, and braindance influences, and a bit of apocalyptic themes too! this is actually 65days' second feature here on noise daily, so, uhh, neat :p
the first album by gy!be, and still one of my favorites (they are kinda all my favorites though). my version is 3 tracks long, each one very very long for a single song, but yours might differ, as there are several. each track is divided into several movements with recurring themes and melodies, but the tempo throughout is rather slow, but shifting. the base of this album seems to be the end of the world, and in fact, wikipedia says it was one of the main inspirations for the film "28 days later". if you haven't heard this album yet, i highly recommend it (but seriously, where have you been if you haven't heard it?).
awesome math rock album, ranging from the traditional fast, time shifting guitar noodling of 'futuristic genitalia', to beautifully composed acoustic guitar solo pieces like the opening track, 'andrea loves horses'.
jazzy post-rock that you have (hopefully) already heard of... many consider it one of the most important albums in the foundation of post-rock, though it draws on other influences like electronic music and modern jazz (lots of improv!). this album is kind of like what my dreams sound like?
i personally love this album cover so freaking much. but its not just the cover. inside, there is an album structured not unlike that of drukqs by aphex twin, harsh and coarse breakbeats surrounded by lush soundscapes and minimalist acoustic solo tracks. however, there are some distinctions. the acoustic tracks are varied, one of them being a stringed instrument plucked with painfully strong dynamics (read: the strings gonna snap), others feature pretty ambient wind instruments and textures. the tracks with breaks are often orchestral, often creepy, and always have amazing rhythm (and odd times, of course. you know how much i love me some odd time signatures). i have heard the album as a whole described by someone on the internet as "music to murder someone to".
p.s. this song is in 10/8, just like the famous theme of "mission impossible" :3
quirky experimental tunes, very catchy and fun to listen to. this album incorporates old mountain folk instruments along with the octopus project's signature electronic doodling in odd time signatures.